Artist (Air sculptor / Metamedia )

HOONIDA KIM

CV_Kr_2022.pdf / CV_En_2022.pdf

Insta @hoonida kim / Vimeo vimeo.com/hoonida

Personal hoonida.com, neoproduct.net, hoonidalabs.com

Metamedia Collective Group PROTOROOM, MetaPixels

En

Hoonida Kim has been focusing on technology that deeply penetrates through the human ecology, as well as the transformations in ecology triggered by technology. Human perception and sensibility fails to track the speed of social change and is unable to sense and analyze the enormous amount of information flooding our society. With such acknowledgement, Hoonida Kim has been producing “environmental recognition apparatuses” to actively respond to such changes. He has also made unique attempts to directly and indirectly implant these “environmental recognition apparatuses” to humans.

He has held solo exhibitions such as Appetizers for Indifferent Ears from A to C: NEO PRODUCT Manifesto(ThisWeekendRoom, Seoul, 2021) and FamiliarityᆞCumulatingᆞRunning—Unfamiliar Translation of Everyday Life(Perigee Gallery, Seoul, 2018). He took part in group exhibitions like <MMCA Performing Arts 2021: Multiverse>Landscape being decoded (National Museum of Contemporary Art, Seoul 2021), un-less (Doosan Gallery, Seoul, 2021), the 2020 Paradise Art Lab Festival(Studio Paradise, Incheon, 2020), and the 2017 Cheongju Craft Biennale.

Kr

후니다 킴은 인간 생태계에 깊게 침투한 기술과 기술이 촉발하는 생태계의 변화에 주목해왔다. 인간의 지각 능력과 감수성은 사회의 급격한 변화 속도를 따라가기 어렵고 엄청난 정보량을 감각, 분석하기 힘들다. 그렇기에 작가는 감각을 예민하게 만드는 장치인 ‘환경 인지 장치’를 제작해 이러한 변화에 적극적으로 대응하는 작업을 해오고 있다. 그리고 그는 ‘환경 인지 장치’를 인간에게 직, 간접적으로 이식(implant) 하는 독특한 시도를 한다. 이렇게 기술과의 필연적 결합을 직시하는 그의 방식은 포스트 휴먼의 변화된 인식 방식과 감수성을 다루고 있다.

개인전으로는 《무심한 귀를 위한 애피타이저 A부터 C: 네오프로덕트 선언》(디스위켄드룸, 서울, 2021), 《익숙함이ㆍ쌓이고ㆍ녹아내리는 – 일상에 대한 낯선 번역》(페리지갤러리, 서울, 2018) 등이 있으며, 《멀티버스-다원예술2021》 (국립현대미술관, 서울, 2021), 《un-less》(두산갤러리, 서울, 2021), 《돌의 실제》((구)명성교회, 서울, 2020), 2020 파라다이스 아트랩 페스티벌(파라다이스시티 아트스페이스, 인천, 2020)등의 전시에 참여했다.


[Solo Exhibition & Performance]

2021
“Appetizers for Indifferent Ears from A to C”: NEO PRODUCT Manifesto, Thisweekendroom, Seoul, korea

2018
Familiarity·Cumulating·Melting–Unfamiliar Translation of Everyday Life, Perigee Gallery, Seoul, Korea

2016
“Space Composition / sound drawing”, SOBO.TOKYO, Tokyo, Japan

2015
“Float3 Space Composition_showcase & hezukpress”, Art Space Ujeongguk, Seoul, Korea

2013
“CUTOFF / SoundApparatus series”, Gana Art Space, Seoul, Korea


[ Selected Group Exhibition ]

2021
The 21st SONGEUN ArtAward, SongEunArtspace, Seoul, korea

<MMCA Performing Arts 2021: Multiverse> Landscape being decoded, National Museum of Contemporary Art, Seoul, korea

“un-less”, doosan Gallery , Seoul, Korea

2020
“The Realness of Stone”, this is not a church, Seoul, Korea

“Paradise Art Lab 2020” Paradise Art city studio, Incheon, Korea ( PROTOROOM )

Scholar’s Stone, BlueSquare NEMO, Seoul, Korea

2019
zer01neday 2019, ( Hyundai Motors Wonhyoro Center ), Seoul, Korea

Perform 2019 Linkin-out, Ilmin Museum of Art, Seoul, Korea

Digital-in your hands, Sewoon Hall, Seoul, Korea

2019
zer01neday 2018, Hyundai Motors ( Wonhyoro Center ), Seoul, Korea

2017
“Singapore Open Media Art Festival 2017 IN SEOUL”, Total Museum of Contemporary Art, Seoul, korea (PROTOROOM)

“Our Bright Future-Cybernetic Fantasy”, NamJunePaik Art Center, Seoul, Korea (PROTOROOM)

“Re:craft/Cheongju Craft Biennale”, Cheongju, Korea

2016
“ Aichi Triennale 2016 LOCUS FABER TsukuLocca Project “ , Aichi Prefetural Museum of art, Nagoya, japan

“ Media Art as an Awareness Filer” (Tokyo, NTT InterCommunication Center [ICC]), tokyo, japan (PROTOROOM)

2015
“ CONSONARE / sound light scape “ (3331Arts Chiyoda), Tokyo, Japan

2014
“Lexical Gap / Davinci Creative 2014”, Seoul Art Space_Geumcheon, Seoul, Korea

2012
“ On the Eve of Tomorrow : Industry and Media Art / Davinci Idea “, Seoul Art Space_Geumcheon, Seoul, Korea

2011
“iamasonic”, softpia, Gifu, Japan

2010
“iamasonic”, softpia, Gifu, Japan

2009
“HOME PARTY”, Songwon Art Center, Seoul, Korea

2008
“Terminal”, Yokohama BankArt, Yokohama, Japan

“Traversing Territories ”, Notting Hill College of Arts, Notting Hill, England

“EXTENDED SENSES”, galleryloop, Seoul, Korea

“EXTENDED SENSES, NTT InterCommunication Center [ICC] ), Tokyo, Japan

“Ogaki Biennale 08”, Ogaki, Japan